New Fears Eve isn’t just another seasonal curiosity, it’s a real, festival-tested horror-comedy slasher that’s already carving out its place with genre fans.
Directed by P.J. Starks and Eric Huskisson, the film blends workplace anxiety, New Year’s Eve chaos, and slasher mayhem into a sharp, irreverent genre entry.
Set during a mandatory New Year’s Eve office party, New Fears Eve follows three friends whose night of corporate obligation spirals into terror when they’re stalked by a masked killer known as The Doctor, a plague doctor–styled antagonist portrayed by Jesse McDonald. Multiple outlets describe the film’s central hook as a slasher attack unfolding inside a corporate celebration, turning office politics into literal survival horror.
The tone balances practical gore and dark humor, leaning fully into horror-comedy territory rather than playing it safe. Independent reviews note that the film embraces old-school slasher energy while keeping its comedic timing sharp and self-aware.
The cast is stacked with recognizable genre talent, including:
- Felissa Rose
- Dave Sheridan
- Hannah Fierman
- Jeffrey Reddick
Their presence anchors the film firmly within modern cult-horror territory, appealing directly to fans who appreciate genre continuity and insider casting.
New Fears Eve officially began streaming on December 16, 2025, launching across platforms including Screambox and Amazon Prime Video following a distribution deal. Local reporting, including coverage from Spectrum News, confirms the film was shot in Owensboro, Kentucky on a modest budget before securing wider digital distribution, including ties to Cineverse and Bloody Disgusting’s horror ecosystem.
The project’s journey reflects a familiar indie horror path: grassroots production, festival exposure, and eventual streaming visibility.
With its New Year’s setting, corporate satire, and plague-masked killer, New Fears Eve arrives at a moment when horror fans are increasingly drawn to holiday-adjacent slashers that don’t take themselves too seriously. It’s a film that understands its audience: practical kills, recognizable faces, and a premise rooted in modern workplace dread.
The party has started.
The clock is ticking.
And not everyone is making it to midnight.
