An Impractical Joker Made a Giant Spider Horror Movie, And the Trailer Just Dropped

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Church retreats: terrible idea. Ozark wilderness: worse idea. Giant prehistoric spider that hunts by vibration: your problem now.

The first trailer for Don’t Move has arrived. Impractical Jokers star James “Murr” Murray co-wrote it with Darren Wearmouth, adapting their 2020 novel. Maclain Nelson directs from a script he co-wrote with both authors.

The setup is simple and brutal. A church group’s Ozark retreat goes wrong when something starts picking them off. Everyone suspects Ricky (Russell “Russ” Vitale), the group troublemaker. The real threat, however, hides deeper, a prehistoric arachnid buried in webs that tracks every footstep. Megan (Lyndsy Fonseca, Kick-Ass) must keep the survivors alive with one rule: don’t move.

The cast is strong too. Tom Cavanagh (The Flash), Hunter King (Life in Pieces), Rob Riggle (The Hangover), and Joseph Lee Anderson (Young Rock) all star. Additionally, T-Pain, Matt Biedel, and Impractical Jokers co-star Brian Quinn appear in cameos.

Murray calls the creature genuinely alien. It cannot reason. It cannot be argued with or outsmarted. He told Bloody Disgusting the film draws direct inspiration from The Descent, operating on three levels: human vs. creature, human vs. human, and human vs. nature.

Don’t Move premieres in Kansas City on September 8 and Los Angeles on September 9, then hits theaters September 11. Tickets are on sale now at dontmovemovie.com.

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The Conjuring Is Getting a Prequel, And It Just Found Its Young Ed and Lorraine Warren

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The Conjuring Universe keeps expanding, and this time, it’s going back to where it all began.

The Conjuring: First Communion, the upcoming prequel film already dated for September 10, 2027 by Warner Bros., has found its two leads. Garrett Wareing (Ransom Canyon) steps in as young Ed Warren, while Amanda Fix (Teenage Sex and Death at Camp Miasma) takes on young Lorraine Warren. Deadline broke the casting news, with Dread Central first reporting the scoop.

French director Rodrigue Huart helms the film from a script by Richard Naing and Ian Goldberg. Plot details remain under wraps. As for whether Patrick Wilson and Vera Farmiga will appear at all, nothing has been confirmed, the film will at minimum focus primarily on the younger versions of their iconic roles.

First Communion becomes the tenth film in The Conjuring Universe, following nine entries, The Conjuring, Annabelle, The Conjuring 2, Annabelle: Creation, The Nun, Annabelle Comes Home, The Conjuring: The Devil Made Me Do It, The Nun 2, and last year’s The Conjuring: Last Rites. A Conjuring Universe television series is also reportedly in development at HBO Max.

Franchise producer Peter Safran previously teased the future of the series: “There’s so much more to it that we haven’t dug into. I think there are really exciting ways to go with both film and television. People have been on this journey with us for a dozen years now. I think they want more.”

Judging by the box office, he’s right.

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Sam Neill, Star of Jurassic Park and Horror Icon, Has Died at 78

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The horror world has lost one of its greatest. Sam Neill, the New Zealand actor who gave us Dr. Alan Grant, Dr. Weir, and John Trent, died on Monday, July 13, in Sydney, Australia. He was 78.

His family shared the news on his official Instagram page. They described his passing as “sudden and unexpected.” Their full statement reads- “Sam was surrounded by family and passed with the dignity that has characterised his whole life. The loss was sudden and unexpected but blessed by the fact that Sam remained cancer free.”

Neill received a diagnosis of rare blood cancer in 2022. However, he announced the following year that he had gone into remission. His family confirms he remained cancer free at the time of his death. For now, they ask for privacy, and promise more details soon.

For horror fans, his legacy runs especially deep. He starred in Andrzej Żuławski’s Possession (1981), The Omen III: The Final Conflict (1981), John Carpenter’s In the Mouth of Madness (1994), and Event Horizon (1997). Those four films alone made him a genuine genre icon. Beyond horror, his career stretched back to the early 1970s. He appeared in Dead Calm, The Hunt for Red October, Daybreakers, Thor: Ragnarok, and three Jurassic Park films.

Steven Spielberg paid tribute to Variety- “Along with Laura Dern and Jeff Goldblum, we will always have our Jurassic family, and Sam will never be forgotten by us or his many millions of fans around the world.”

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Send Help (2026)

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Sam Raimi returns with Send Help, a survival thriller that trades supernatural horrors for something far more unsettling: the darkness that emerges when power changes hands. Set on a deserted island after a plane crash, the film strands an overlooked employee with the arrogant executive who made her professional life miserable, transforming a fight for survival into a psychological battle fueled by years of resentment.

Rather than relying on monsters lurking in the shadows, Send Help finds terror in isolation, desperation, and the fragile line between justice and revenge. Raimi takes the familiar “stranded survivor” formula and reshapes it into a darkly comic thriller that explores workplace trauma, unchecked ambition, and what happens when social rules no longer exist. The result is an entertaining survival story that is as uncomfortable as it is thrilling.

What Works ✅

The Shifting Power Dynamic: The film’s greatest strength is its constant reversal of control. Rachel McAdams delivers a compelling performance as Linda Liddle, an employee who gradually transforms from a timid corporate strategist into someone willing to exploit every advantage to survive. Her evolving relationship with Dylan O’Brien’s keeps the tension alive throughout, turning a familiar survival scenario into a deeply personal conflict.

Sam Raimi’s Distinctive Style: Raimi brings his trademark blend of horror, dark comedy, and visual inventiveness to the film. The energetic camerawork, creative bursts of body horror, and moments of absurd humor prevent the survival story from becoming predictable. His direction balances suspense with an unmistakable sense of mischievous fun, making even the film’s most brutal moments strangely entertaining.

Strong Lead Performances: Rachel McAdams and Dylan O’Brien anchor the film with excellent performances. McAdams convincingly portrays a woman whose desperation slowly gives way to ruthless determination, while O’Brien embraces the role of the smug, privileged executive without holding back. Their chemistry fuels the psychological conflict, making every confrontation feel earned.

❌ Where It Falls Short

Uneven Tone: The film occasionally struggles to balance its survival thriller premise with Raimi’s love of exaggerated dark comedy. Some scenes shift abruptly from genuine suspense to cartoonish violence, creating tonal whiplash that may not work for every viewer.

Minor Script Inconsistencies: Although the survival elements are generally engaging, the screenplay occasionally overlooks practical details. Characters recover from injuries surprisingly quickly, clothing remains inexplicably clean, and certain logistical conveniences weaken the realism the film works hard to establish.

An Over-the-Top Final: The final act leans heavily into excessive violence and spectacle. While undeniably entertaining, it sacrifices some of the psychological tension that makes the earlier portions so compelling. The emotional conflict between the characters becomes secondary to increasingly chaotic action, reducing the impact of the film’s central themes.

⚖️ Final Verdict: 4/5

Send Help is a tense, darkly funny survival thriller that proves human nature can be more frightening than any supernatural threat. Sam Raimi delivers another energetic genre film filled with inventive set pieces, sharp satire, and memorable performances from Rachel McAdams and Dylan O’Brien.

Although its shifting tone and overblown finale occasionally undermine its psychological depth, the film remains an engaging exploration of power, revenge, and survival. Equal parts thriller, horror, and dark comedy, Send Help stands as one of Raimi’s most entertaining genre outings in years and offers plenty for audiences looking for a survival story with a vicious edge.

Evil Dead Burn Has TWO Post-Credits  Scenes, And They Change Everything (⚠️ SPOILER WARNING)

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Evil Dead Burn opened July 10 to a 77% Certified Fresh on Rotten Tomatoes. Critics liked it. But the real conversation this weekend isn’t the film itself, it’s what happens after the credits roll. There are two post-credits scenes. Both are franchise-shaking. Here’s the breakdown.

Scene One: The Curse Walks Out the Door

Maude Davey’s Polly, a Price family member who once worked with Professor Knowby before he discovered the first Book of the Dead,escapes the house still fully Deadite-possessed. A passing motorist stops to help her. She passes the curse directly to them. It’s a clean, chilling handoff that sets up another modern-day chapter, following the same relay-race structure the film established in its opening sequence, which picked up directly from where Evil Dead Rise left off.

Scene Two: Alyssa Sutherland Survived the Wood Chipper

Nobody saw this coming. The second scene cuts to the crematorium where the unclaimed ashes of Ellie Bixler have been sitting since Evil Dead Rise‘s ending. Alyssa Sutherland appears in a surprise cameo, still Deadite-possessed, very much alive, and kills the cremator’s daughter. This breaks the franchise’s own rules. No Evil Dead character has ever returned after their body was completely destroyed. The implication is that the different versions of the Book of the Dead seen across Rise and Burn may contain incantations capable of reviving previously killed Deadites, which raises the stakes for every future installment and opens the door for other fan favourites to return.

What the Director Says

Vaniček told Screen Rant the whole point was to leave audiences physically drained, “Just breathe. Just take some fresh air. That’s the whole goal of the movie.” He delivered.

Obsession Is Heading to Peacock, And It’s Getting There Fast

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Two months in theaters. $406.8 million worldwide. Now, Obsession is coming home.

Peacock confirmed that Curry Barker’s breakout horror hit will start streaming on July 17, 2026. That’s a surprisingly fast turnaround. The film still plays in theaters and pulls in millions every week. It also lands on Digital right now, with a physical release arriving the same day as the Peacock debut.

Here’s the setup- a hopeless romantic breaks the mysterious One Wish Willow to win his crush’s heart. He gets exactly what he wished for, at a very dark price. Inde Navarrette (Superman & Lois) and Michael Johnston (Teen Wolf) star. Barker shot the film on a $750,000 budget. Focus Features then acquired it for a reported $15 million. It has since become the highest-grossing horror film of 2026 and the most profitable release in Focus Features history.

Barker isn’t slowing down either. He has a new Texas Chainsaw Massacre film in the works. He’s also directing an original horror movie for Universal and Blumhouse. His horror-comedy Anything But Ghosts is coming soon too.

Obsession hits Peacock on July 17.

Parker Finn’s Possession Remake Just Got Its Fourth Major Star

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Parker Finn’s Possession remake keeps getting bigger, and its latest addition is a very good one.

Diego Calva (Babylon, Her Private Hell) has joined the film, according to Deadline. He steps into a lineup that already includes Margaret Qualley, Callum Turner, and Paul Dano. Finn writes, directs, and produces.

The production hasn’t confirmed Calva’s character yet. However, if the film follows Andrzej Żuławski’s 1981 original, he most likely plays Heinrich, Anna’s lover. Heinrich gets catastrophically entangled in a disintegrating marriage that turns supernatural and monstrous. Nobody escapes that story intact.

Not familiar with the original? Here’s why it matters. The 1981 Possession ranks among the most disturbing psychological horror films ever made. It follows Anna and her husband Mark in Cold War-era West Berlin. Their crumbling marriage spirals into paranoia, infidelity, and body horror, then into something far worse. Isabelle Adjani played Anna in the original and won Best Actress at Cannes for it. Notably, Adjani has personally blessed Qualley’s casting in the remake.

Beyond the cast, the producing team is equally impressive. Jonathan Fass, Roy Lee, Andrew Childs, and Robert Pattinson all produce, with Marc Bienstock executive producing. Production kicks off this month.

No release date yet. But with this cast and this source material, Possession is already one of the most exciting horror projects in the pipeline.

Steve Guttenberg Is Back, And He’s Performing a Jewish Exorcism

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Horror just gave us a casting choice nobody saw coming, and it might be the most intriguing one of the year.

Steve Guttenberg is starring in The Dybbuk, a Jewish folklore-based horror film. He plays Rabbi Azrael, a mystic who must perform a dangerous exorcism. A dead man’s restless spirit has possessed a young woman in his congregation. It’s a sharp, unexpected pivot for an actor best known for Police Academy, and that contrast alone makes this one worth watching.

Tony-nominated Craig Bierko (Cinderella Man) plays Sender, the possessed woman’s father. Meanwhile, Beth Grant (No Country for Old Men) plays Frayda, the grandmother. Together, the three leads form a compelling ensemble. Lee Amir-Cohen writes and directs in his feature debut, with Ashley Bua co-writing and producing. Filming has already wrapped in Los Angeles.

The film adapts S. Ansky’s classic Yiddish play of the same name. In Jewish folklore, a Dybbuk is a malicious spirit that clings to the living, one of horror’s most underexplored mythologies. If this film gets it right, it could do for Jewish folklore what Hereditary did for grief-soaked occultism.

No release date has been announced yet.