Siren Head Is Becoming a Movie, And Warner Bros. Won a Five-Studio Bidding War to Make It Happen

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Hollywood just spent millions of dollars on a creature with sirens for a head, and somehow, we completely understand.

Warner Bros. Pictures won a five-studio bidding war, beating out Sony, Universal, Paramount, and Disney’s 20th Century Studios, to acquire the rights to Siren Head, the viral horror cryptid created by Canadian artist Trevor Henderson in 2018. The rights deal alone landed in the low seven figures. Brian Duffield (No One Will Save You) will direct from a script he’s co-writing with Zach Cregger (Barbarian, Weapons). Cregger will also produce alongside Roy Lee, Andrew Childs of Vertigo Entertainment, and Scott Glassgold. Henderson executive produces and, crucially, retained control of his creation throughout, which almost never happens with internet IP.

What even is Siren Head? A 40-foot skeletal cryptid with two vintage sirens where its head should be. It haunts rural environments, blending into treelines and telephone poles, and emits distorted broadcasts, emergency alerts, human voices, to lure prey. Henderson posted it online in 2018 and it spiralled into 3 billion TikTok views, 1 billion YouTube views, and millions of Roblox plays.

Why now? Backrooms opened to $81.4 million in May and now sits at $349.7 million globally. Obsession just crossed $400 million. Hollywood has received the message: Gen Z goes to the movies, they go for horror, and they go for horror that started online. Siren Head was always the next domino. Streamers were excluded from the auction entirely, theatrical only.

No production timeline yet. The script remains in development.

Heart Eyes (2025)

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Valentine’s Day is usually filled with romance, flowers, and happy endings. Heart Eyes turns that idea upside down by replacing love letters with murder and candlelit dates with a masked killer hunting couples. Directed by Josh Ruben, the film blends romantic comedy and slasher horror into a fast-paced, self-aware thriller that never takes itself too seriously.

Instead of choosing between romance and horror, Heart Eyes embraces both. It delivers plenty of laughs, bloody kills, and playful chemistry while poking fun at the clichés of each genre. The result is an entertaining horror-comedy that knows exactly what kind of movie it wants to be.

The story follows two co-workers who are mistaken for a couple on Valentine’s Day. Unfortunately for them, a serial killer known as the Heart Eyes Killer targets romantic couples, forcing the pair into a desperate fight for survival.

As they try to escape the masked killer, their fake relationship slowly begins to feel more genuine. The film balances romantic tension with slasher thrills, creating a fun mix of awkward flirting, suspense, and increasingly creative kills.

✅ What Works

A Fun Blend of Romance and Horror: The film successfully combines romantic comedy with slasher horror without either genre overshadowing the other. The chemistry between the two leads keeps the lighter moments enjoyable, while the horror sequences provide enough tension to keep the story moving.

Creative Kill Sequences: The Heart Eyes Killer delivers some memorable and inventive kills throughout the film. The violence is stylish without becoming excessive, and the practical effects add plenty of impact for slasher fans.

Stylish Visuals: The killer’s glowing heart-shaped eyes and distinctive mask give the film an instantly recognizable villain. Combined with its neon lighting and colorful cinematography, Heart Eyes stands out visually from many modern slashers.

❌ Where It Falls Short

An Overcomplicated Final Act: The mystery surrounding the killer becomes more complicated than necessary. By the time the reveal arrives, the story loses some of the momentum built during the first half, making the finale feel less satisfying than expected.

Thin Supporting Characters: While the main characters are easy to root for, much of the supporting cast exists mainly to increase the body count. As a result, many of their deaths lack emotional impact.

Uneven Pacing: The film occasionally pauses its suspense for extended romantic conversations, slowing the pace during moments that should feel more urgent. The balance between comedy, romance, and horror doesn’t always work as smoothly as intended.

⚖️ Final Verdict: 3.5/5

Heart Eyes is a fun and energetic horror-comedy that delivers exactly what it promises. By combining slasher violence with romantic comedy, it creates an entertaining experience that feels fresh without taking itself too seriously.

Although the story stumbles during its final act and some characters could have been better developed, the strong chemistry between the leads, creative kills, and stylish presentation make it an enjoyable watch. It may not reinvent either genre, but it proves that romance and horror can make a surprisingly entertaining pair.

Evil Dead Burn Is Six Days Away And Evil Dead Wrath Just Revealed Its Darkest Secret

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Two Evil Dead announcements. One week. The franchise is absolutely unhinged right now and we are here for it.

First: Evil Dead Burn hits theaters July 10.

Director Sebastien Vanicek, the guy Sam Raimi personally handpicked after seeing his spider-horror debut Infested, has been very clear about what he made- “A nasty film, a film that hurts, from which you come away tested.” Even Raimi himself reportedly said he doesn’t fully understand it. That is either terrifying or the greatest endorsement in horror history. Probably both.

The story follows Alice (Souheila Yacoub, Dune: Part Two) a grieving widow who retreats to her in-laws secluded home after losing her husband – only for them to be possessed one by one by Deadites.

Family reunion from hell. Literally. The cast includes Hunter Doohan (Wednesday), Luciane Buchanan (The Night Agent), and Tandi Wright (Pearl). It’s the sixth Evil Dead film, a standalone sequel to Evil Dead (2013) and Evil Dead Rise (2023), distributed by Warner Bros.

Now: Evil Dead Wrath is a 1972 prequel – and it sounds completely different.

Producer Rob Tapert dropped this bombshell at Michigan State University- Evil Dead Wrath, directed by Francis Galluppi and already wrapped, is set in 1972 – predating Sam Raimi’s original 1981 film by nearly a decade. It follows a French woman trapped in a bad marriage in America, dismissed by her abusive husband’s family.

Tapert says it will visually replicate Ektachrome 100 film stock, “very warm, very tungsten”, and introduces coming-of-age elements the franchise has never explored. The cast includes Charlotte Hope, Jessica McNamee, and Zach Gilford. Release date- April 7, 2028.

Evil Dead Burn opens July 10. Evil Dead Wrath arrives April 2028. The deadites aren’t going anywhere.

Nightborn Trailer Turns Motherhood Into a Terrifying Dark Fairy Tale

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The director of Hatching is back with another monstrous child, and this time, Ron Weasley is the dad.

Shudder has released the first trailer for Nightborn, the sophomore feature from Finnish filmmaker Hanna Bergholm, co-written with Ilja Rautsi. The film world-premiered in competition at the 76th Berlin International Film Festival in February, where it scored a Golden Bear nomination, and now makes its North American premiere at Fantasia International Film Festival on July 22, before streaming exclusively on Shudder on July 31.

Saga (Seidi Haarla) and her British husband Jon (Rupert Grint) move into the remote Finnish forest home where Saga grew up, hoping to build the perfect family. The second their baby is born, Saga knows something is deeply, horribly wrong with her son. Everyone around her disagrees. Their marriage begins to crack, and Saga keeps digging.

The trailer leans hard into folk-horror dread and practical creature effects, with Bergholm once again blending emotional gut-punches with body horror, her signature move since Hatching. And the creature work is in exceptionally good hands- animatronics designer Gustav Hoegen (Star Wars, Andor, Prometheus) and two-time Oscar-nominated SFX makeup designer Conor O’Sullivan (The Dark Knight, Game of Thrones) are both on board.

The full cast includes Seidi Haarla, Rupert Grint, Pamela Tola, Pirkko Saisio, Rebecca Lacey, John Thomson, and Silvia Saloranta.

Nightborn hits Shudder on July 31.

The First Werwulf Trailer Is Here and It Looks Unhinged

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Robert Eggers just traded vampires for something far more feral, and the first trailer for Werwulf dropped on June 29, timed deliberately to that night’s full moon. Very on brand.

Set in 13th-century England, the film follows a man known only as “Man” (Aaron Taylor-Johnson), lured into lycanthropy by an ominous elder, now living with his family in a rural community being stalked by an unseen beast. Eggers has called it the darkest script he’s ever written. The tagline- “A harrowing tale of devotion, damnation, and the devil within.”

The trailer doesn’t show you the creature. Instead it gives you fog, body horror, medieval dread, and Taylor-Johnson writhing through what looks like an absolutely brutal transformation. Eggers isn’t tipping his hand, he’s just making you deeply uncomfortable. Mission accomplished.

The cast is stacked with Nosferatu returnees: Lily-Rose Depp, Willem Dafoe, Ralph Ineson, and newcomer Bodhi Rae Breathnach. Script co-written with Sjón (The Northman), dialogue in authentic Middle English, developed with two Oxford professors, because of course it was.

Werwulf hits US theaters Christmas Day, December 25, via Focus Features. UK gets it January 1, 2027.

Colony Trailer Unleashes a New Infection Nightmare From the Director of Train to Busan

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Yeon Sang-ho, the filmmaker behind Train to Busan, is back with another terrifying outbreak story.

The first trailer for Colony has arrived, offering a tense look at the upcoming South Korean horror thriller. The film follows Professor Se-jeong (Jun Ji-hyun), a biotechnology professor attending a biotech conference when a rapidly mutating virus suddenly breaks out. As authorities seal the venue, everyone inside is forced into a desperate fight for survival.

The trailer teases frantic escapes, relentless infected, and a growing sense of paranoia as the virus spreads through the locked-down facility. Early reactions also suggest the infected display an unsettling level of coordination, giving the film a fresh twist on the infection-horror formula.

Joining Jun Ji-hyun are Koo Kyo-hwan, Ji Chang-wook, Kim Shin-rok, Shin Hyun-been, and Go Soo. With Yeon Sang-ho once again blending emotional stakes with high-intensity horror, Colony is already shaping up to be one of the genre’s most anticipated upcoming releases.

Kathryn Newton Faces a New Nightmare in The Devil’s Mouth Trailer

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Sharks are terrifying on their own. Trapped inside an underwater cave with nowhere to escape? That’s the premise behind The Devil’s Mouth, and its first full trailer makes that fear feel painfully real.

Amazon MGM Studios has released the official trailer for the survival horror film, set to premiere on Prime Video on July 29, 2026, starring Kathryn Newton alongside Lana Condor and Nico Hiraga.  The film is a co-production between Amazon MGM Studios and Lionsgate Films, directed by Jeff Wadlow.

Five friends set out on one last adventure along Thailand’s stunning coast before life in the real world begins. They sign up for a guided swim through a remote cave system known as The Devil’s Mouth, a natural wonder that’s as breathtaking as it is unforgiving. Deep inside the labyrinth of narrow waterways, their journey takes a terrifying turn when they discover that a freak storm the week before flooded the caves with sea life.  As oxygen runs low and panic sets in, trust within the group begins to fracture, making the shark the least of their problems.

The full cast includes Kathryn Newton, Lana Condor, Nico Hiraga, Gavin Casalegno, Tommi Rose, and Tayme Thapthimthong, with the screenplay written by Aja Gabel and Myung Joh Wesner.  The script began life as Apex, appearing on the 2019 Black List of most-liked unproduced screenplays, before eventually becoming The Devil’s Mouth.

The Devil’s Mouth hits Prime Video on July 29, 2026.

Wolf Man (2025)

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Werewolf movies haven’t completely disappeared, but they have taken a back seat in modern horror. With Wolf Man, director Leigh Whannell reminds audiences why the subgenre still has plenty to offer. Instead of treating lycanthropy as a supernatural gift, the film reimagines it as a terrifying disease that slowly destroys both the body and the mind.

Rather than focusing on an unstoppable monster, Wolf Man is more interested in the tragedy of transformation. It is a darker, more grounded take on the classic Universal monster that emphasizes fear, loss, and survival over spectacle.

The story follows a man whose quiet family life is shattered after he becomes infected by a mysterious creature. As the transformation begins, he struggles to hold onto his humanity while his wife and daughter fight to survive the growing threat inside their own home.

Wolf Man doesn’t celebrate the monster’s power, speed, or the myth of a full moon. Instead, it focuses on the emotional pain of watching someone slowly lose himself as he becomes something inhumane. Every passing hour brings another horrifying change, turning the family’s desperate search for safety into a hopeless fight against time.

✅ What Works

A Fresh Take on Werewolf Horror: One of the film’s biggest strengths is how it reinvents the werewolf myth. Rather than portraying the transformation as empowering, Wolf Man presents it as a horrifying illness that strips away a person’s identity. That approach makes the story feel more tragic and emotionally grounded.

Effective Body Horror: The transformation scenes are easily among the film’s highlights. Every physical change feels painful and disturbing, creating genuine discomfort without relying on excessive gore. The creature design also avoids the traditional oversized werewolf appearance, making the monster feel more primal and unsettling.

Strong Atmosphere: Leigh Whannell builds tension through silence, darkness, and uncertainty instead of constant action. The isolated setting and careful pacing create an uneasy atmosphere where danger always feels close, even during the quieter moments.

❌ Where It Falls Short

Weak Emotional Depth: Although the central family relationship drives the story, the emotional drama never feels as powerful as it should. The characters are likable enough, but their relationships rely on familiar ideas that prevent the film from reaching its full emotional potential.

Too Many Jump Scares: For a movie that excels at creating slow-building tension, it occasionally falls back on loud, predictable jump scares. These moments feel less effective than the psychological horror the film establishes elsewhere.

Familiar Story Structure: Once the transformation is fully underway, the narrative becomes fairly predictable. Much of the second half revolves around escaping and hiding, leaving little room for the story to explore its interesting ideas in greater depth. As a result, the finale feels more conventional than the opening promises.

⚖️ Final Verdict: 4/5

Wolf Man is a tense and unsettling reimagining of one of horror’s oldest monsters. By treating lycanthropy as a devastating disease instead of a supernatural power, the film gives the werewolf genre a fresh and genuinely disturbing perspective.

While the emotional story could have been stronger and the reliance on jump scares occasionally weakens the suspense, the atmosphere, body horror, and grounded approach make Wolf Man one of the more memorable horror films of 2025. It proves there is still plenty of life left in the werewolf genre when filmmakers are willing to take it in a new direction.